Saturday, May 30, 2015

The Tale of Princess Kaguya (Review)


A minimalistic and emotionally charged film from an animation master.

Director: Isao Takahata 

Company: Studio Ghibli

Year: 2013

Country: Japan

Isao Takahata is an unusual director, especially for an anime director, given that he was never trained as an animator. Takahata's films tend to be focused around mundane everyday experiences, where as his close friend and collaborator, Hayao Miyazaki, tends to make larger scale epics or family fantasy movies. (Perhaps this is the reason that Miyazaki tends to be better known than Takahada, as his films are more accessible to most audiences. Outside of the morbidly depressing, but excellent, Grave of the Fireflies (1988), Takahada's movies are often overlooked in the West.)

After an absence of 14 years, Takahada officially returned to the big screen with The Tale of Princess Kaguya. Initially, Kaguya was supposed to be released as double bill alongside Miyazaki's The Wind Rises (2013), but was released several months later due to falling behind schedule. Princess Kaguya is based on the Japanese folktale, The Tale of the Bamboo Cutter, which is about an old couple who find a baby girl inside a bamboo stalk and decide to raise her as their own. 



Does Kaguya bring a miracle into her family's life, an extra burden, or an opportunity to grow?

The Tale of Princess Kaguya has a relatively small cast of characters. We get to know Kaguya and her family quite well, along with her childhood friend, Satemaru, and her stern governess, Lady Sagami. Other characters such as the various suitors that try to win Kaguya's hand aren't given much development, but this actually works largely in the film's favor. Kaguya herself is a quiet, often inquisitive child. She grows unusually fast, earning the nickname Takeneko ("Little Bamboo") from the other children in her village. Kaguya loves playing outdoors and is more interested in playing with her peers than material pursuits.

As she grows older, however, her adoptive father becomes increasingly convinced that his daughter deserves the best. After finding gold and some cloth in the bamboo grove, the Bamboo Cutter convinces himself that is a sign that Kaguya should be wed to a wealthy suitor. Believing that Kaguya is divine royalty, he moves his small family to the city. Kaguya is trained to be a 'proper lady,' but after the glamor of her new life wears off, she begins to miss her previous home terribly. Her life of royalty has become a cage, and she feels that she can no longer express herself as freely she used to.



It's better to live poor but happy than to live surrounded by wealth and misery.


If this isn't symbolic, I don't know what is. 

Friday, May 1, 2015

Hello? One, Two, Three...Testing






I just wanted to let everyone know that I am alive and will resume posting this month. I am almost done with college and have recently relocated to work a new job with State Parks. I was also recently contacted by the owner of Character Design References to write articles for his future website, but will still continue to post on this site.

I've been doing more artwork and writing recently too. If any of you like what you see below, would be interested in me using a future Tumblr site for the art or having me post it here? (Or I could post in both places, but draw individual pieces for certain articles I write, etc.)



A simple digital piece made for a web design class.


Animesque concept art.


Lupin III fan art from a few years back. 
(Click images to enlarge.)

Monday, March 2, 2015

Macross: Do You Remember Love? (Review)



Love triangles, J-pop & giant robots shouldn't normally work together, but...

Director(s): Shoji Kawamori, Noboru Ishiguro

Company: Studio Nue, Tatsunoko Production, Topcraft, Artland

Year: 1984

Country: Japan

Macross is one of the most iconic Japanese franchises. Over 30 years ago, The Super Dimension Fortress Macross debuted as a 36 episode television series. (It has since been followed with various other incarnations over the years, each along a different point within the fictional world's timeline.) As a result of its popularity, the show was rewarded with an expensive, high profile animated feature. The film follows the same plot, but is reduced to fit within a two hour runtime. Because of this, the film has a few chronological differences and is set in medias resMacross: Do You Remember Love? takes place in the future. Humanity has evacuated Earth and is in the midst of a war with the male Zentradi and female Meltrandi. The U.N. Spacy, a successor of the United Nations, is in charge of defending Earth and general peacekeeping. 

A young pilot named Hikaru Ichiyo is one of U.N's members. Despite newly joining, he is rather talented. However, his carefree attitude often gets him in trouble, particularly with his superior, Misa Hayase. One day, the Macross is attacked by a group of Zentradi. In the chaos, pop idol Lynn Minmei is rescued by Hikaru. After spending a couple of days together, the two develop a relationship. However, it becomes increasingly threatened by Minmei's busy life, Hikura's duties, and the impending pressure of the war



Lynn Minmei, the forerunner of Hatsune Miku.

This film is not like other franchise films of the era, which were often simply recaps using recycled footage or else made on very tight funding. Its animation and art direction is fully realized, and holds up remarkably well today, perhaps even looking better than the average anime put out now. (In fact, one scene had to be cut because the movie was starting to run over budget.) The amount of detail given in each frame is impressive. Backgrounds convey each scene's mood, and the character's clothes realistically wrinkle when they sit down or stand up. In this way, the film is a lot like Hayao Miyazaki's Nausicaa of the Valley of the Wind. Both were the first true big budget anime films of the era, and were coincidently released the same year.



Eat your heart out, Gundam.


The backgrounds are gorgeous, and often give off a melancholic feel.

Do You Remember Love? is, of course, also remembered for its use of pop music via Minmei (or rather her voice actress, Mari Iijima) and its tightly choreographed intergalactic battles. Macross's ability to easily switch between genres allows it to appeal to a wide variety of audiences. The film also makes great use of contrast regarding its narrative flow. The first half of Macross is a lighthearted romp akin to a typical teen romance film with some action a la Star WarsHowever, the later portion of the movie is more solemn and slow paced. The songs Minmei sings take on a sad, empty tone. Hikura and Misa are left searching for life on a seemingly abandoned Earth. When the action does return, it is more fast, more brutal. (Certain rather graphic scenes were even edited out of a recent Japanese DVD release.) Only by making peace with the Zentradi and Meltrandi can Hikura, Misa, Minmei and the rest of humanity hope to survive. 


The dogfight scene between Max and Milia.

Tuesday, February 24, 2015

Thoughts on This Year's Oscars



Let's all agree to disagree.

Another year, another of the same... Well, not entirely. I'll admit I was pleasantly surprised that Birdman won Best Picture, and that it was tied with Wes Anderson's Grand Budapest Hotel with its number of nominations: nine total. Both were great films and I highly recommend checking them out if you already haven't seen them.


There is only one true Birdman.

In terms of animation however, the Oscars have delivered yet another predictable, non-deserving win. As with last year, several of the voters on the board admitted to not even seeing most of the nominees outside of a couple of mainstream movies. (The same also goes for the Shorts categories and Best Foreign Language Film.) As a result, Big Hero 6 won. I have nothing against Big Hero 6, in fact I favorably reviewed it earlier this year. It is a fun movie, but nothing out of the ordinary or outside of Disney's comfort zone. It's infuriating that either Pixar or Disney win each year just because they are Pixar/Disney. Personally, I would have either chosen The Song of the Sea or The Tale of Princess Kaguya as the best film. Both moved me in ways that none of the other nominees did and have gorgeous artwork to boot. At any rate, I digress. What did you think of this year's Oscars?*



Two trailers for the two best animated films of the year.

* PS: I will get to reviewing Kaguya and The Song of the Sea, asap. The local theatre will finally be showing them, and I have been waiting to properly see them on the big screen.

Wednesday, January 28, 2015

The Red Dragon & the Woman in the Sun: Symbolism in Manhunter


Let's take an in-depth look at one of the most unique thrillers of the 1980s.

In the 1986 film, Manhunter, Michael Mann makes heavy use of color saturation, a variety of camera angles and other visuals to convey a heightened sense of mood and tension. All of these elements give greater insight into the movie’s theme and its character development. This is especially apparent during the scene where Rheba McClane spends the night over at Francis Dollarhyde’s house. Even though the scene only lasts for about six and a half minutes, it is a crucial part of the film because it helps the audience understand and sympathize with Dollarhyde, despite that he is a serial killer and Manhunter’s primary antagonist. At the same time, however, there is a sense of disease and apprehension that looms over the relationship between Dollarhyde and Reba.


Sunday, January 11, 2015

Notable Disney Songs that Didn't Make the Cut (Part 1): 1937-1968

As a semi follow up to my past article, Animated Films that Never Were (Disney Edition), I have decided to write about ten musical numbers that the company axed either in favor of other songs or due to pacing issues. Given that Disney is over ninety years old, it has a very long and interesting history. There are many fascinating 'what ifs' and 'could have beens.' (In fact, Disney's Frozen, had a grand total of seven songs deleted from its original lineup.) So let's take a look behind the scenes at some of the company's decisions to see if any of the music they decided to scrap is actually worth listening to.*

1. Music in Your Soup (Snow White, 1937)


Disney's Snow White was a huge undertaking for the then relatively small studio. Before it was released, feature length animated films were unheard of in Hollywood, and many critics referred to it as 'Disney's Folly.' The critics, of course, were ultimately proven wrong. However, Snow White had a very long and complex production history which lasted a total of four in a half years. "Music in Your Soup" fell victim to this. The musical sequence, animated by Ward Kimball, involved Snow White teaching the dwarves how to eat like gentlemen rather than noisily slurping their soup. The song would have taken place directly after the scene were the dwarves are washing before dinner. Ultimately, "Music in Your Soup" was cut because it simply didn't fit within Snow White's time constraints. Walt Disney actually felt bad about cutting the scene (along with another taking place in the dwarves' bedroom). To make it up to Ward Kimball he let him design and be lead animator on Jiminy Cricket in Pinocchio (1940).  

Sunday, December 28, 2014

New Year's Resolutions


First of all, I would like to apologize for being absent from my blog for over a month. As usual, I have been exceptionally busy completing my senior year at college and finishing various projects. I promise to post at least 2-3 times a month from now on and hopefully I will be able to post more frequently (around 5-6 posts per month) by the end of next year...

Resolutions List

1.) Complete College and My Senior Project
2.) Post with Gusto!
3.) Start a Tumblr Page to Post Personal Artwork & Other Miscellaneous Stuff
4.) Find a Full Time Job that I Enjoy
5.) Become as Awesome as Bill Watterson Someday

Well, that's enough about me for now. What are your resolutions?