Sunday, August 24, 2014

Drop Dead Fred (Review)

Director: Ate de Jong

Company: Polygram Filmed Entertainment, Working Title Films, New Line Cinema

Year: 1991

Country: United States, United Kingdom


Today, I review another cult film…uh-oh.

If Drop Dead Fred succeeds at anything exceptionally well, it's being exceptionally annoying. Despite having garnered a small fan base over the years due to how bizarre and irreverent it is, this film is a chore to watch due to its unlikable characters and scattered plot. Drop Dead Fred was met with mixed to negative reviews upon its release. The movie earned back only $14 million at box office. Its current critic rating on Rotten Tomatoes is at an 'impressive' nine percent. And Gene Siskel stated that it was, "Easily one of the worst films I've ever seen," and was, "made in shockingly bad taste." So with that stated, let's take a dive into this slapstick nightmare.

The film begins with a young girl, Elizabeth (Lizzie) Cronin, being read a fairytale by her mother, Polly, while in bed. When Polly tells her daughter that the story ended happily ever after with the girl marrying the prince, Elizabeth enquires, "How do you know?" Polly says it was because the girl was well behaved, which causes Elizabeth to state, "What a pile of shit!" Charming. I'm sure this movie's opening lines went over well with all the parents and children in the crowd.

After some opening credits, the movie abruptly cuts to 21 years later.  Elizabeth (Phoebe Cates of Gremlins fame) has grown up to be an unhappy adult. She is unsatisfied with her current state in life and strained relationship with her domineering mother. Lizzie has also recently divorced her husband, Charles, who is in love with another woman named Annabella. Shortly after trying to talk with Charles, Lizzie's wallet and car are stolen. On top of it all, Lizzie arrives late for work and loses her job, which causes her to be chewed out by Polly again. Back at her childhood home, Lizzie becomes desperate. She decides to seek help from her childhood imaginary friend, Drop Dead Fred, as a last ditch effort.


Because everyone knows that struggling with depression and having a mental illness is hilarious. 

The titular character reappears when Elizabeth foolishly decides to release him from the jack-in-the-box her mother sealed him away in many years ago. After opening this Pandora's box, Fred proceeds to wreck havoc and crack unfunny jokes. He is an obnoxious hybrid of Beatle Juice/Peewee Herman portrayed by the late British actor, Rik Mayall. However, Lizzie tolerates Fred's potty humor, immature antics, and lewd behavior because he gives her a release from her oppressive mother. Frankly, I'm not seeing how this movie is supposed be funny yet. It's just making me feel kind of sad.


Thanks movie, I don't think I'll be able to sleep for a week now.

Soon after, Fred decides to start accompanying Elizabeth so that they can pull pranks on unaware bystanders and people they dislike, just like old times. The only catch is nobody can see Drop Dead Fred except for Elizabeth. Polly becomes concerned with her daughter's increasingly strange behavior (which includes talking incoherently, sinking her friend's house boat, and pouring wine on herself) and takes her to see a psychiatrist. Lizzie is given a pill prescription to rid herself of thoughts about Fred. But, of course, this doesn't work. As Fred becomes increasingly more crazy and out of control, Lizzie finds him harder and harder to deal with. Too make matters worse, Fred's behavior has began to sabotage the relationship Lizzie is trying to rebuild with Charles.

While Drop Dead Fred desperately tries to be funny and unconventional, the 'humor' in this film either falls flat or, more often than not, either annoys or offends the audience. Without the right balance of lightheartedness and genuinity, a comedy movie about a depressed protagonist is simply not funny. It's mean spirited...That is unless you actually happen to find jokes such as picking boogers, throwing poop at people, and staring up women's skirts funny.


And to think this film is sometimes marketed as a 'family movie.'

The characters are also woefully lacking in development. Polly is either too over the top to be a believable personality or else she is underplayed. Her actions sometimes don't even seem that mean or spiteful. Sure, Polly acts over protectively, but the way Lizzie responds to her mother's concern often just makes her end up looking really immature. (And, yes, I am aware that is probably part of the movie's intent. However, the audience is supposed to sympathize the most with Lizzie.) Phoebe Cates does an ok job considering what she's been given to work with, but Elizabeth spends most of her time moping (which makes the audience feel uncomfortable) or else awkwardly interacting Fred (which also makes the audience squirm in discomfort). As for Drop Dead Fred himself, well…this article has already talked enough about what's wrong with him.


The relationship between Elizabeth and her mother feels flat despite its large role in the story.

Watching his movie was one of the most miserable experiences I've had in a while. Drop Dead Fred is an uneven sloppy mess of a film. The fact that the titular character is introduced as both the film's center of conflict and as Lizzie's savior is an ill advised plot twist. This may have worked in the hands of a more skilled director, but considering Ate de Jong's track record their was no chance of that. Drop Dead Fred is a film at war with itself. It can't decide wether it wants to appeal to children or adults. In the end, it hardly appeals to anyone.


Sometimes it just sucks to be you.

Rating: 1.5

Tuesday, August 19, 2014

Ten Strange & Scandalous Pre-Hays Code Cartoons

The Hays Code was initially created in 1930 and began being enforced four years later. The code was meant to help reduce the amount of violence, sex and other 'anti-social' behavior onscreen. It was adopted due to conservative concerns about film content and controversy surrounding several off-screen scandals involving Hollywood stars.

However, many artists and filmmakers felt heavily restricted by the Code's rules which stated that films could not show such actions as: illegal drug trafficking, onscreen nudity or sex, profanity, 'white slavery', and ridicule of the clergy. Additionally, any crime shown on the screen had to be punished and couples could not be depicted sleeping in the same bed together. (Due to competition from other studios and changing social norms, the Code was eventually replaced by the film rating system we have today in 1968. While certainly not perfect, the MPAA's use of ratings does not rely on censorship, and thus allows more artistic freedom.)


A photo taken by A.L. Schafer that symbolically protests the Hays Code. It depicts several elements banned by the Code.

As a result, filmmaking in Hollywood changed drastically. Theatrical cartoons were not exempt. Despite that old animated shorts are often considered to be 'wholesome' / 'safe for the entire family,' many Pre-Code cartoons contained quite a few bizarre and sometimes unsettling scenes. If you don't believe it, then prepare to be enlightened by the ten shorts below.

Monday, July 28, 2014

The Best (and Worst) Movie Sequels I Have Ever Seen - Part 2

Love them or hate them, Hollywood insists that sequels are here to stay. So what better way to celebrate (and scorn) them by creating a list in their 'honor'. As a follow up to my previous post, I have listed five of the most memorable and deplorable film sequels ever created below:

5.) The Best: The Rescuers Down Under 


The Rescuers Down Under is one of those few movies where the sequel is arguably better than the original. While the original Rescuers film is generally recognized as one of the better films to come out of Disney's dead period (i.e. shortly after Walt Disney died), its 1990 sequel is largely overlooked due to being released between The Little Mermaid and The Beauty and the Beast, as well as premiering during the opening week of Home Alone. It's a shame because The Rescuers Down Under is a truly fun, action-packed movie. It is arguably the closest Disney has come to releasing something in the vein of Indiana Jones or Crocodile Dundee

The storyline centers around a young, Australian boy named Cody. Cody befriends a large, endangered eagle (Marahute), but is held captive by a poacher when he refuses to tell him the eagle's location. Fortunately, the titular Rescuers, a pair two mice (Bianca and Bernard) are alerted and decide to embark on a dangerous mission in order to save Cody. At the same time, Bernard attempts to ask for Bianca's hand in marriage but is constantly interrupted by Jake, a charismatic kangaroo rat, and must over come his own incompetence. It should also be noted that The Rescuers Down Under was the first Disney film to be made using the digital CAPS system and the fantastic flight sequences of Marahute were animated by renowned animator Glen Keane. (Keane stated that the films of Hayao Miyazaki were a major influence on the film's flight scenes, specifically Nausicaa of the Valley of the Wind.)

5.) The Worst: The Blues Brothers 2000


Making a sequel between more than a decade is, more often than not, a recipe for disaster. Such is the case of Blues Brothers 2000 (which despite what it's name may suggest was released in 1998). 2000 takes place 18 years after the first film, when Elwood Blues is released from prison. He is told that his brother, Jake Blues has died and so has his surrogate father, Curtis. (This is the film's way to cover up for the deaths of the two actors that portrayed Jake and Curtis, John Belushi and Cab Calloway respectively.) Elwood also discoverers that he has second brother, Cabel Chamberlain. However, Cabel turns out be a member of the Illinois State Police. Thus Cabel is not that keen on Elwood's plan to reunite his band, after what happened the last time they played. 

2000 is basically a rehash of the first film, with almost same plot and same jokes. The only difference is that this film constantly falls to be funny and tends to drag a lot of the time. Both critics and audiences responded negatively to the film. It only earned back a pitiful $14K its $28 million budget. The only good thing about Blues Brothers 2000 is its soundtrack and it still is not as good as the original film's music. If any thing, buy the CD. Avoid the movie.

Tuesday, July 15, 2014

Where I've Been


Hello, fellow bloggers! If you have been following my blog recently, you have probably noticed that I haven't posted anything for over a month. I have been extremely busy with my summer job and preparing for my senior project. (Not to mention, my internet has been rather spotty lately…) I should resume a more regular posting schedule by the end of this month. Sorry to keep you hanging! If you need something to read in the meantime, feel free to check out the recommended websites in the side tab.

Thursday, May 29, 2014

Totoro Spotted in Santa Cruz!


Apparently, Totoro is a part time Sushi chef. No word yet on how good his cooking is. (On the side note, I apologize about the lack of posts. A college student must study after all!)

Tuesday, May 13, 2014

The Best (and Worst) Movie Sequels I Have Ever Seen - Part 1




AND CUT!

Movie sequels have become increasingly common over the past ten years or so. In fact, there are currently over 100 movie sequels in the works, ranging from the likes of Avatar and The Incredibles to The Goonies and Mrs. Doubtfire. However, cashing in on sequels is not simply a dubious trend or even a relatively new phenomenon. They first started to appear in larger numbers during the 1970s, with Hollywood's revival and the birth of the modern block buster. When done correctly, sequels help enrich the film series's previous installment and provide greater insight into the movie's fictional world. Of course, for every good sequel, unfortunately, there are always a good number of bad ones.


On the upside, they can be unintentionally hilarious because of this.

Below, I have composed a list of my ten personal favorite (and unfavorite) film sequels. Please note that remakes/spinoffs will not be counted (and trust me, there are plenty of other people that can inform you about the horrors of The Stars Wars Christmas Special), and neither will movies based on book series. So without further ado, here are they are:

10.) The Best: Adams Family Values


While Adams Family Values is certainly not a perfect movie, it still manages to be quite entertaining at times. As opposed to the first film featuring the Addams Family, this installment focuses more on the macabre humor associated with the comics than the madcap comedy of the 1960s television series. This largely works in the film's favor and is refreshing to see in era when family movies started to become increasingly over sanitized for younger audiences. (The movie takes several jabs at over protective parenting, such as the way we retell the story of Thanksgiving to children.) The best segments of the movie focus on Wednesday and Pugsley who are sent away to summer camp after the family's newly hired nanny, Debbie, tricks Gomez and Morticia into doing so. They quickly become social outcasts at the overly cheery camp and develop a friendship with another boy their age. The film should have kept most of its focus here, but unfortunately it doesn't. The main plot concerns Debbie (who is actually a serial killer) trying to woe Uncle Fester and steal his money. It is somewhat funny at first, but becomes tiresome after a while. Still, Adams Family Values is all in all a fun film that sports a lot unconventional humor and memorable visuals to boot. 

10.) The Worst: A Christmas Story 2



Simply put, this movie, like so many other sequels, was unnecessary. Very unnecessary. It was released just last year directly to DVD and has thankfully attracted little attention. A Christmas Story 2 has just about every cliche in the book and is devoid of most of the charms of the original. The movie is set six years after the original, with Ralphie now being a teenager who only wants a used 1939 Mercury convertible for Christmas. However, when he tries to get the car off the lot he accidentally damages it, and must repair it before the police find out. The movie simply goes through the motions repeating the same jokes and gags from the first movie, but only as less funny. The film also informs as that Ralphie must learn 'the true meaning of Christmas,' but didn't he already discover it during the first film? A Christmas Story 2 was among the last of Warner Bros. direct-to-video releases due to the studio citing the decline of the market in favor of online streaming. Good riddance, it was even more disappointing to me than the Home Alone sequels. This sequel is so obviously phoned in it's just sad really.

Tuesday, April 22, 2014

Animated Adaptations of One Thousand and One Nights


All of us are familiar with Disney's Aladdin, but there are a surprising number of other cartoons based on similar premises. 

Background on the Tales

One Thousand and One Arabian Nights is one of the world's most famous collections of fairytales and folktales. It is also one of the oldest literary works. Although the story was originally published in Arabic during the Islamic Golden Age, many of the stories are far older and originate from not only Arabian countries but also Egyptian, Indian and Mesopotamian cultures. The stories first became popular in the Western world after their publication into French in the early 1700s by Antoine Galland. English translations soon followed, becoming increasingly common during the 1800s. Translations have continued to be made and revised up into recent years, as scholars endlessly debate about the accuracy of their sources and interpretations. (Earlier translations made during the Victorian era tended to cut out certain stories or aspects due to their depiction of violence and sex. Not all of these stories were originally intended for children. Pretty much the same thing could be said about Grimm's Fairytales.)


An illustration for Aladdin by Errol le Cain

For those unfamiliar with One Thousand and One Nights's basic premise, it is a frame story. Everyday the king Shahryar takes a new bride only to behead her by the next day, and then takes another. (Shahryar holds a grudge after finding out his first wife was unfaithful to him.) Eventually the vizier can no longer find any more virgin brides for the king. The vizier's daughter, Scheherazade, offers herself to be the next bride, and the vizier reluctantly agrees. Later that night after the marriage, Scheherazade begins to tell Shahryar a fantastical story. The story does not end and segues into another tale. The king becomes curious about how the tale concludes, so he postpones his bride's execution. This continues to be repeat until one thousand and one nights have passed and Scheherazade has run out of stories to tell. However, Shahryar has fallen in love with Scheherazade over the course of almost three years. So Scheherazade's life is spared and she becomes queen.


An illustration of Scheherazade and Shahryar by Edmund Dulac.

Most of the stories that Scheherazade tells are highly fantastical, involving various heroes journeying to far off lands in search of love or warriors fighting against fearsome monsters. Arguably, the most famous of these stories are Sinbad the Sailor, Aladdin and Ali Baba and the Forty Thieves. Adaptations based upon these tales range from classical pieces to role playing games. (So many works have been influenced by these tales that they even have their own Wikipedia page!) Naturally, One Thousand and One Nights has been adapted numerous times into film as well, perhaps most famously by The Thief of Baghdad (both the 1924 and the 1940 versions) and the 7th Voyage of Sinbad (1958). The number of animated films adapted from One Thousand and One Nights is quite high as well. The stories provide a perfect vehicle for the medium given how imaginative and other worldly they are.


A brief synopsis and review for The Thief of Baghdad (1940).